Manic Street Preachers - The Ultra Vivid Lament
Following 2018's Resistance Is Futile, the veteran band releases their fourteenth studio album, primarily written on piano.
Count Me In
Count Me In is a Netflix documentary on the art of drumming with musicians such as Chad Smith of Red Hot Chili Peppers, Stephen Perkins of Jane's Addiction and Porno for Pyros, Taylor Hawkins of Foo Fighters, and many more.
New Releases
Candlebox - Wolves
Album and follow-up to 2016's Disappearing in Airports.
💿 Amazon | 🎧 Apple Music • Spotify
Melissa Etheridge - One Way Out
A nine-track album of previously unreleased tracks from the ’80s and ’90s.
💿 Amazon | 🎧 Apple Music • Spotify
Billy Idol - The Roadside EP
Legendary rocker’s first new material in seven years, released on George Harrison's former label (Dark Horse) now run by his son Dhani.
💿 Amazon | 🎧 Apple Music
Carcass - Torn Arteries
The band's first album in eight years, seventh studio album by British death metal veterans.
💿 Amazon • Bandcamp | 🎧 Apple Music • Spotify
Placebo - Beautiful James (single)
First new music from the band in five years
💿 Amazon | 🎧 Apple Music • Spotify
Jeff Lynne - Wembley or Bust
In his first official book, E.L.O.'s Jeff Lynne reveals the meticulous planning leading up to the epic concert for a crowd of 60,000 fans at Wembley on 24th June 2017, and shares the stories behind a career-spanning catalog of songs.
💿 Amazon | 🎧 Apple Music
New 90s Podcast
Pinback - Pinback
The intimate minimalism of Pinback's 1999 self-titled debut paralleled the downbeat post-hardcore of the era but left us wanting more
Toward the middle of the 1990s, the shift away from loud grunge, post-hardcore, and punk resulted in a wide variety of more introspective sounds. Some bands were tagged with emo, some with slowcore, others with simply indie rock. From Death Cab for Cutie and John Vanderslice to Elliott Smith and Iron & Wine, the late 90s and early aughts were full bands turning down both the volume and tempo. San Diego's Pinback, comprised of veteran scene musicians Rob Crow and Armistead Burwell Smith IV, utilize a wide variety of instruments and approaches on their self-titled debut from 1999. A simple drum preset can carry an entire song, mixing a variety of analog keyboard and guitar sounds, while occasionally introducing samples, guitar-mimicking vinyl scratching, or vocal loops. It's a melancholy but charming debut that presents many interesting ideas that sometimes lack a second or third gear to make them truly inspired.
Coming Soon
We’ve pulled 9 listener suggested albums from the hopper and need your help picking one to feature in an upcoming episode of Dig Me Out. New Poll, Let's GO!
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The story of 90s rock one week at a time since 2011. Weekly episodes featuring 90s album reviews, interviews, and roundtable discussions. Made possible by the DMO Union.
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